A polished video is the result of quality tools...
---NOW AVAILABLE---
Panasonic VARICAM HI DEF variable frame rate camcorder with Fujinon lense and Panasonic HI DEF monitor
My primary camera package is built around the broadcast standard for quality. I use the Ikegami HL-55 with onboard Sony BVV5 Beta SP Recorder and a Fujinon 14x1 (8.5-119mm) Lens.

For projects on a budget, the Sony PD-150 camera is an excellent alternative with little compromise in quality.

My lighting equipment is diverse and powerful. 2KW Mighty Moles, Lowel Omnis, Totas, Rifa, Softbox, Century 1 KW Red Heads, Mizar Fresnels and a Camera mount Ultra Light.

I don't just make good pictures, I use reliable audio tools to get clean audio. The audio package consists of: a Senheiser 416 mounted on the camera, Audio Technica mounted on camera (when 416 is used as boom), EV 635 and Beyer M58 Hand mics, Tram and Sony ECM 55B & 77B Lavalieres, Lectrosconic wireless and stereo Shure FP 31 and FP32A field mixers.

I also have a a waterproof housing, a custom kayak mount and hardware that allows for creative mounting.

Any good videographer has a bag of tricks. Mine includes a selection of color monitors, grip arms, stands, backdrops, color gels, filters, wide angle adapter, phone adapters for IFB hook-ups and flex fills.

If your project requires special accessories, like a tele-prompter, HMI lights or a dolly, I will coordinate what you need.
The only thing more important than the tools is the experience of the person using them!